#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A terrified man Richard (Michael Hall) accidentally shoots a burglar inside his house. He is assured by the cop (Nick Damici) that it was purely self defense n the burglar was a wanted fella. Richard shaken by the experience n not proud by the incident, visits the cemetery on the burglar’s burial day n gets confronted by Ben, a paroled convict n the dead burglar’s dad. Ben indirectly threatens and praises Richard’s family pic which he saw in the newspaper. The cops cant arrest Ben as he hasn’t done anything n cant give Richard official police protection..
Plot: While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of a low-life burglar. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father rolls into town, hell-bent on revenge.
Smart Tags: #based_on_novel #neo_noir #blood #blood_splatter #murder #night #no_opening_credits #retro #year_1989 #fear #rain #1980s #arson #car_crash #corpse #cowboy_hat #crowbar #dark_glasses #death #dog #gore
|6.8/10 Votes: 35,132|
|6.5 Votes: 560 Popularity: 8.475|
> Kind of so good till Jim Bob Luke’s entry.
I’m glad I watched it, but if I had missed it, I would have not worried much. Anyway, you can’t say like that until you watch any movie. This movie was excellent, I mean it for the first 40-45 minutes. So much twist and thrills, I was almost regretting for almost missing it. But once the character Jim Bob Luke was introduced in a grand style, the narration went off the track.
The best parts were over, I got lost interest, and I asked myself why it has to be like this after a wonderful opening? Especially for the character Dane who was a family man and his choice was completely wrong. As mush as Dane, I wanted to know who he shot, but that was not the story’s intention to reveal and went in a different direction to disappoint me.
The guys (actors) were awesome, but the writing was a let down, it owes lots of explanation rather telling a decent story. It was an indie crime-thriller based on the novel of the same name, sets in the 1980s. I won’t say the film was bad, but I enjoyed only the half movie, the first half.
Cold In July brings synthesised chills, bloody sleet and fatherly responsibilities. The distinction between murder, manslaughter and self-defence is one that continues to grow more appropriate in America with each passing year. How does one determine the truth when only one key witness is available to divulge in their perspective? Especially when the odds are in their favour by accidentally shooting a “wanted felon” in the eye. The police view it as heroism. The general public questioning its intent. The victim’s father overwhelmed with rage and demented turmoil, threatening the safety of the family thrown into the icy-cold chills of crime.
Mickle’s intentionally masculine crime thriller is one that evokes themes of fatherhood. The paternal rights and responsibilities of their children who may, or may not, be following the path of sin. Ever increasing the protectorship of their guardian figure for the sake of the family they have lovingly crafted. It’s a natural instinct. To protect our own flesh and blood, no matter the cost. But what if that expenditure is too severe? What if their existence is causing suffering to others? The morality of these two fathers, the shooter and the victim’s patriarch, is tested through unlawful extremities. Challenges that conjure inner turmoil. And it’s only through Mickle’s astute direction do we as viewers journey down this careening route of masculinity.
What starts off as a simplistic revenge thriller soon complicates itself into an absorbingly comedic drama, whilst still shrouded in pulpy neo-noir aesthetics. Grace’s booming synthesised score and Samul’s ornate use of vivid neon backdrops cement the noir elegance. Yet it’s Mickle’s insistence in shifting genres, adding a quirky aura of surrealism to the mix, that acts as gritty adhesive. Does it work? Not quite. The brutal tension that is meticulously built up in the first hour is palpable. Slow panning through tight corridors. Strikes of lightning illuminating the bleak darkness of 80’s Texas. The atmosphere compact with nullified thrills.
Then the plot thickens. The local police become involved, a recruited Private Investigator struts his stuff and suddenly the genre changes. Intrinsic comedy is injected through Johnson’s character, contrasting against Shepard and Hall’s intimidatingly serious performances. Unfortunately, this relieves the suffocating tension that preceded it, relying on a clichéd yet stylistic conclusive shootout with moments of jarring humour. Whilst it does add characterisation, Mickle’s screenplay rarely furthers itself by being weighed down by overly basic dialogue. Conversational scenes, particularly between the two fathers, seemed muted. Lacking in fire and anger. If the script had been tighter with some sharper tongues for the characters, the complacent genre shift would’ve been more forgiving. The two were unable to mesh cohesively.
That’s not a detriment to the overall technicality and theatricality of Cold In July. It remained bitterly deadly throughout and utterly watchable. If only the script had been tighter and the narrative differences more seamless when transitioning, we could’ve had ourselves an incredibly rare hidden gem of noir excellence.
Breezy sleek noir thriller
Cold in July is deceptively unassuming, it’s quiet in building the suspense then it savors the violence in healthy dose. The movie aptly delivers a story with twists and turns, surprisingly changing tones as new mysteries reveal themselves. The actors are great, they produce wide range of characterization and ensure their respective personalities are convincing. Its contrastingly dark and bright visual innovate the covert flair without making it looks like a retro detective noir flick.
Richard Dane (Michael C. Hall) wakes up at one night and finds his home is a target of a burglar. He then proceeds to shoot him, much to everyone’s surprise, including his own. It sets up a chain of events that attract him to a much larger secret than simple breaking and entering. Hall is exceptional as a regular civilian with relatively normal mind, unlike his role in Dexter. He showcases variety of emotions, originally anxiety and rage, but as he endures the trial his characters develops stronger.
Russel (Sam Shepard), the father of the alleged burglar is sympathetically crude and worn down by life. Jim Bob (Don Johnson) rounds up the rag tag gang of investigators. These three are bizarre mix of cast, but they are drawn by a common goal. Each has their own quirky nature and the actors more than elevate the intense plot.
Visually, Cold in July is crisp and immersive. Cinematography works down to the minute details, from angle of the camera in the dark corner to the moving viewpoint of a car, these produce an immersive effect as one watches the mystery unfolds. Soundtracks are oddly in tune, some of them are harrowingly effective. The film doesn’t boast high amount of gore, but when it does the result is bloody authentic.
If there’s a minor setback, it’s that the pace stumbles a bit on the midpoint. The transition between first and second half might be jarring. However, the clever twists and great performance more than make up for it. Cold in July is a light venture to shady uncompromising crime resort with turns that will keep audiences in the edge of their seats.
Heat of the Night
When reading the sensational headlines in the news you can’t but come up with an opinion of innocents and guilt. This movie Cold in July will make you think twice. A remarkable good movie that has the storyline of more a made for television movie than on the big screen. The story starts off as protective father kills an intrusive ex-con in his house. Suddenly he becomes a local home town hero for gun rights and the power of the second amendment. When the dead con’s father appears the tables turn as the father is now being watched closely. Don Johnson plays Jim Bob, a ex-special investigator that helps get to the bottom of things and put clarity in a muddy situation. This story has many twist and turns, and no matter how you think it is going to end, it veers the other way. A very good movie. I went in not expecting that.
Original Language en
Runtime 1 hr 49 min (109 min)
Genre Crime, Thriller
Director Jim Mickle
Writer Nick Damici, Jim Mickle, Joe R. Lansdale
Actors Michael C. Hall, Sam Shepard, Don Johnson
Country United States, France
Awards 1 win & 8 nominations
Production Company N/A
Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera Red Epic
Laboratory Light Iron (digital intermediate)
Film Length N/A
Negative Format Redcode RAW
Cinematographic Process N/A
Printed Film Format N/A