#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – On the day of his daughter’s (Joey Singer) birthday, William “D-Fens” Foster (Michael Douglas) is trying to get to his estranged ex-wife’s (Barbara Hershey) house to see his daughter. He has a breakdown and leaves his car in a traffic jam in Los Angeles and decides to walk. Along the way he stops at a convenience store and tries to get some change for a phone call but the owner, Mister Lee (Michael Paul Chan), does not give him change. This destabilizes William who then breaks apart the shop with a baseball bat and goes to an isolated place to drink a coke. Two gangsters (Agustin Rodriguez & Eddie Frias) threaten him and he reacts by hitting them with the bat. D-FENS continues walking and stops at a phone booth. The gangsters hunt him down with their gang and shoot at him but crash their car. William goes nuts and takes their gym bag with weapons proceeding in his journey of rage against injustice. Meanwhile Sergeant Martin Prendergast (Robert Duvall), who is working on his last day before retirement, is following the wave of crimes and believes that the same man is responsible but the other detectives do not pay attention to him.
Plot: On the day of his daughter’s birthday, William “D-Fens” Foster is trying to get to the home of his estranged ex-wife to see his daughter. His car breaks down, so he leaves his car in a traffic jam in Los Angeles and decides to walk. He goes to a convenience store and tries to get some change for a phone call, but the Korean owner does not oblige, tipping Foster over the edge. The unstable Foster, so frustrated with the various flaws he sees in society, begins to psychotically and violently lash out against them.
Smart Tags: #rage #alienation #social_commentary #downward_spiral #baseball_bat #anti_hero #moral_ambiguity #dysfunctional_family #destroying_property #urban_decay #against_the_system #los_angeles_california #last_day_on_the_job #father_daughter_relationship #tirade #disgruntled_employee #rampage #mental_breakdown #racism #homophobia #violent_outburst
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An affirmation of decadence
Take the hottest day of the year, a traffic gridlock, cracked pavements, dirty streets, unwarranted hostility and a general feeling of being short changed. Then add the frustrations of having an estranged wife and child, an extremely jaded and unbalanced mindset, and the frustration of being obsolete with no marketable skills. Set them against the decadent back drop of modern day LA where if you are ‘Not economically viable,’ you are of no use, and the result is Falling Down.
The tag line ‘The Adventures of an Ordinary man at War with the Everyday World,’ makes Joel Schumacher’s masterpiece sound like the benign story of a working stiff with issues. However Falling Down is a dark and engrossing urban fable, a study into the mind of the disenfranchised and reminder to all that the removal of comfort is a lot closer than we care to believe.
Full of clichés, like the cop on his last day before retiring, Falling Down bravely meets all expectations of stereotypes, rather than challenging them, making for a realistic reflection of a failing society. Here, a man in extremis, without the feral cunning or killer instinct required for a life in the street, makes his way on anger and luck alone, somehow surviving to leave a paper chase of violence and destruction behind.
Relying heavily on symbolism, illustrating a flip side of America running parallel to the hunky dory world occupied by the successful, the over all message of ‘No Matter, Never Mind,’ is clear in this world where children play next to vagrants dying from AIDS and Korean grocers can legally steal from the public with their overpriced goods.
Michael Douglas displays some hitherto unseen talent as the unbalanced D-FENS, as he casually totes gang weapons (complete with rubber bands on the grips) in his formal shirt and tie, does battle with store owners and comes up against fast food restaurants, homeless people, gangsters and Nazis. Robert Duval is equally brilliant as the desk jockey on his final day, determined to stop anyone else from being hurt, including the perp.
There is, of course, a small amount of Hollywood sentimentality thrown in for good measure, however the dynamics of such a strong narrative make this completely forgivable and it’s possible to overlook this as a flaw given the film’s overall strengths.
Praise surely has to go to Ebbe Roe Smith for writing one of the finest scripts ever to grace celluloid. Known for bit parts and cameos, who the hell knows who Ebbe really is? Look on IMDb to find out (if you’re a geek like me) or release him into the ether if you don’t care. The truth is, he’s out there. The question is: Where’s the next script?
On the whole, Falling Down is a powerful and dramatic indictment of American culture, societal decadence, and the failing values of the West. It’s not for everyone and will most certainly offend some, but if approached with an open mind, will provide plenty of fuel for thought.
American Beauty meets George Carlin
Joel Schumacher’s Falling Down is really an under-rated film. Michael Douglas gives his best performance yet as a middle aged man who is now gone completely insane. I compare it to American Beauty and George Carlin because basically that is what this is. A regular guy who’s had enough of life (and goes around lecturing people about how life for him sucks). Still, Schumacher, Douglas and co-star Robert Duvall try their best and succeed with perfect precision. One of the best films of 1993.
Original Language en
Runtime 1 hr 53 min (113 min)
Genre Action, Crime, Drama
Director Joel Schumacher
Writer Ebbe Roe Smith
Actors Michael Douglas, Robert Duvall, Barbara Hershey
Country United States, France, United Kingdom
Awards 1 win & 2 nominations
Production Company N/A
Sound Mix Dolby Stereo
Aspect Ratio 2.39 : 1
Camera Panavision Panaflex Platinum, Panavision Primo and E-Series Lenses
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length N/A
Negative Format 35 mm
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm