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Grindhouse 2007 123movies

Grindhouse 2007 123movies

A double feature that'll tear you in two!Apr. 06, 2007191 Min.
Your rating: 0
8 1 vote


#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A double-bill of thrillers that recall both filmmakers’ favorite exploitation films. “Grindhouse” (a downtown movie theater in disrepair since its glory days as a movie palace known for “grinding out” non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. “Death Proof,” is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while “Planet Terror” shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the ’50s exploitation drive-in classics.
Plot: Two full-length feature horror movies written by Quentin Tarantino and Robert Rodriguez put together as a two-film feature. Including fake movie trailers in between both movies.
Smart Tags: #double_feature #original_story #zombie #real_twins_playing_twins #anthropophagus #blood_and_gore #flesh_eating_zombie #homicidal_maniac #testicles #director_also_cinematographer #intentional_goof #cameo_appearance #shot_in_the_face #stabbed_in_the_neck #stabbed_in_the_hand #stabbed_in_the_chest #stabbed_in_the_back #shot_to_death #shot_in_the_leg #shot_in_the_head #shot_in_the_forehead

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Grindhouse 2007 123movies 1 Grindhouse 2007 123movies 27.5/10 Votes: 181,473
Grindhouse 2007 123movies 3 Grindhouse 2007 123movies 284%
Grindhouse 2007 123movies 5 Grindhouse 2007 123movies 277/100
Grindhouse 2007 123movies 7 Grindhouse 2007 123movies 27 Votes: 1240 Popularity: 11.857


Grindhouse exploits its modern B-movie experience through a bloody expressionistic tribute. Two feature films. Four fictional trailers (five if you’re lucky…). And an authentic conceptual presentation of the 70s exploitation genre, missing reels and all. Rodriguez/Tarantino’s admiration for cinema in general is tangible. Both a credible experiment in genre resurrection and a fetish for babes, blood and bolted machine gun legs. It is, at its core, a retrospective piece of entertainment. But does the double feature presentation, trailers included, work as a solid film in itself? Yes. Just about.

Two of the four fictitious trailers worked. Wright’s ‘Don’t’ replicated the essence of Hammer Film Productions perfectly with a quintessential amount of British campiness to illustrate the ghoulish plot. Not to mention the laugh out loud vagueness of the title. Roth’s (yes, this is surprising…) was another hilarious trailer with ‘Thanksgiving’, a holiday-themed slasher. Imitating existing features, such as ‘Halloween’, to deliver a barrage of nudity and decapitations. Absurd, yet sadistically amusing. These two especially suited the overall aesthetic of Grindhouse, particularly with ‘Planet Terror’. Rodriguez’ ‘Machete’, which later became a feature film’, summoned the desolate heat of the Mexploitation sub-genre. It’s fine. Occasionally becomes lost in itself when Trejo is randomly throwing machetes everywhere. Zombie’s efforts in ‘Werewolf Women of the SS’ (I know…) didn’t work for me. The concept felt like he was trying way too hard in being over-the-top and radical by merging a bunch of sets together. Intentional or not, it juxtaposed the other trailers. Cage as Fu Manchu though, I want more! Although varying in quality, these trailers do provide impressive contributions to the overall presentation and are embedded intricately before each feature film.

Speaking of features, do both ‘Planet Terror’ and ‘Death Proof’ work as a project of duality? No. The former is an absurdist’s perspective of the zombie genre, whereas the latter just resembled an ordinary Tarantino flick without the excessive exploitation. The two, together, have different paces, styles and tones which exhume varying levels of contrast, diminishing the whole feature’s flow.

There’s plenty of passion and heart being injected into this project, ultimately resulting in an enjoyable cinematic experience. Yet a prevention exists that disallows me from fully connecting to the concept. A myriad of pastiches, with varying levels of quality, as opposed to an actual presentation. I’d watch it again just for ‘Death Proof’…

Review By: The Movie Diorama Rating: 6 Date: 2020-01-16
***Zombies, dancing skanks, rednecks and killer stunt cars***

“Grindhouse” (2007) features two separate movies: “Planet Terror” by Robert Rodriguez and “Death Proof” by Quentin Tarantino. Together, they’re called “Grindhouse” because they’re a deliberate attempt to recreate the experience of a double feature at a B movie house in the mid/late 60s-70s with the prints intentionally marred by scratches and blemishes or, in one case, a whole reel supposedly missing. Trailers for fake movies, like “Machete,” are also part of the package.

“Planet Terror” involves a biochemical outbreak in central Texas that (big surprise) turns people into zombies and the ragtag group that teams-up to fight ’em, led by Freddy Rodríguez and Michael Biehn, the latter a sheriff. Hotties Rose McGowan and Marley Shelton are on hand, the former acquiring a machine gun implant in replace of her amputated leg. (How exactly she pulls the trigger to massacre zombies is anyone’s guess).

The movie comes across as a melding of “Faster, Pussycat! Kill! Kill!” (1965), “Night of the Living Dead” (1968) and “Dawn of the Dead” (1978), but with the modern tone of “Slither” (2006) with its gross, deliberately offensive black humor. McGowan is a highlight throughout, especially her opening go-go sequence whereas Freddy Rodriguez is surprisingly formidable. Their romantic arc is kind of touching. Another point of interest is the quality cast, rounded out by the likes of Bruce Willis, Josh Brolin, Naveen Andrews and Fergie.

At the end of the day, though, “Planet Terror” fails to rise above the low-budget sorta-genius of Syfy schlock like “Flu Bird Horror” (2008), “Wyvern” (2009) and “Sasquatch Mountain” (2006) even though it cost literally twelve times as much. GRADE: C

“Death Proof” involves an embittered stuntman (Kurt Russell) and his psycho obsession with murdering young women of dubious character with his death proof stunt car (but only the driver’s side). The first half is very good, hindered only by the inane chatter of the girls. This kind of dull drivel goes into overdrive in the second half, particularly involving Zoe Bell, Tracie Thoms and Rosario Dawson, but is rewarded by a thrilling car chase in the country that’s supposedly Tennessee, but obviously Southern Cal.

Russell’s character is perversely charismatic and the movie perks up whenever he’s on screen. There are no less than eight female co-stars playing mostly classless types (but not all of them) and, depending on your tastes, four of them are quite alluring,: Mary Elizabeth Winstead, Rose McGowan, Vanessa Ferlito and Sydney Tamiia Poitier (yes, Sidney’s daughter). GRADE: C+/B-

The two movies and additional trailers run 3 hours, 11 minutes. Unless you have that kind of time to blow, I suggest watching the movies singularly.


Review By: Wuchak Rating: 5 Date: 2018-10-14
Tarantino is the Stravinsky of Movies
Tarantino’s critics do not seem to fully understand what he is up to. More than “making movies” he “makes movies about movies”, in this case the B-movie genre.

This is what Igor Stravinsky did with music. He would take some genre(baroque, 12 tonal or even jazz music), break it down into the essence of its component parts and then put them back together in different ways. What you got was no longer baroque, 12 tonal or jazz. It made you stop to wonder what those styles really were and why they appealed or didn’t appeal to you.

In a way, Tarantino is doing the same thing. He’s making us question why we go to these movies and what the process of watching a film is all about. As a result it is not fair to criticize him because “the girls should have just stopped the car”. In B-movies the girls just don’t stop the car! It’s like criticizing a serious drama for not having enough good jokes. He has really captured something about why these movies get audiences and are such intense fun to watch.

Now that Tarantino has dabbled with films about B-movies, kung-fu movies,action movies,revenge movies, etc. it will be interesting to see if he can extend into other genres. Will we ever see a Tarantino musical, serious drama, love story or western?

Review By: rserrano Rating: 8 Date: 2007-10-11
The first half of “Grindhouse” is an over-the-top, senselessly violent and gore-filled cliché of a zombie movie. Rose McGowan isn’t “all-that” and the only reason any of the acting can be applauded is because the actors manage to keep straight faces while spewing some of the all-time stupidest dialog ever written. I love George Romero. I love zombie movies. You, Mr. Tarantino and Mr. Rodriguez are certainly NOT George Romero.

The second half of “Grindhouse” is a suspenseful chase thriller with an excellent performance by Kurt Russell who is deliciously menacing in his role as a psychopath. The car scenes are excellent, although “Bullitt”, “The French Connection”, and “Ronin” still have the best car chases. The problem with the second film is the same as the first: Tarantino (and perhaps Rodriguez) are grown men with the mentality of 14 year old boys. Their fascination with (and knowledge of) sex and violence is that of someone who has experienced neither. It’s like listening to a couple of virgins brag about sex or a couple of boys who have never fought talk about fighting.

Tarantino’s idea of feminism is to make his female heroins as inane, obnoxious, reprehensible and vulgar as their male counterparts. Some equality…

Cleverness is not intelligence. Kitsch is not art. Moxie is not courage. Damning them with faint praise, I can say that these films are, without a doubt, clever, kitschy, and produced, written and directed with a lot of moxie. Tarantino has an ear for dialog (even if he overindulges himself in this respect) and a thorough knowledge of pop culture and film history. I can admire his homage to films of the past, but wish he would find his own, worthy, voice as he did in “Pulp Fiction”.

With his performances in these films, I think we can all agree that regardless of his directorial gifts and writing talents, Tarantino must never, repeat, NEVER be allowed to act again. His appearance on screen is distracting and nearly stops each movie in it’s tracks.

Even with all this, the funky, 70’s style drive-in intros and trailers are a hoot. The trailer for the slasher-horror movie “Thanksgiving” is worth the price of admission.

Review By: stevetseitz Rating: 6 Date: 2007-04-19

Other Information:

Original Title Grindhouse
Release Date 2007-04-06
Release Year 2007

Original Language en
Runtime 3 hr 11 min (191 min), 3 hr 9 min (189 min) (Ontario) (Canada)
Budget 67000000
Revenue 25422088
Status Released
Rated R
Genre Action, Horror, Thriller
Director Robert Rodriguez, Eli Roth, Quentin Tarantino
Writer Robert Rodriguez, Rob Zombie, Edgar Wright
Actors Kurt Russell, Rose McGowan, Danny Trejo
Country United States, Canada
Awards 10 wins & 22 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix SDDS, DTS, Dolby Digital
Aspect Ratio 2.39 : 1
Camera Arricam LT, Cooke S4 and Angenieux Lenses (segments ”Werewolf Women of the SS”, ”Thanksgiving”, ”Don’t”), Panavision Cameras and Lenses (segment “Death Proof”), Panavision Genesis HD Camera
Laboratory N/A
Film Length N/A
Negative Format 35 mm (Fuji Eterna 500T 8573) (segment “Death Proof”), Video (HDTV) (segment “Planet Terror”)
Cinematographic Process Digital Intermediate (2K) (master format), HDCAM SR (source format) (segment “Planet Terror”), Super 35 (3-perf) (source format) (segment “Death Proof”)
Printed Film Format 35 mm (anamorphic)

Grindhouse 2007 123movies
Grindhouse 2007 123movies
Grindhouse 2007 123movies
Grindhouse 2007 123movies
Grindhouse 2007 123movies
Original title Grindhouse
TMDb Rating 7 1,240 votes

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