#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Ricardo Tubbs is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy, as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until – while undercover working with the supplier of the South Florida group – he gets romantically entangled with Isabella, the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one – especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.
Plot: A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
Smart Tags: #police_investigation #police_detective #drug_deal #drugs #undercover #drug_smuggling #vice_cop #undercover_agent #urban_setting #no_title_at_beginning #underworld #neo_noir #no_opening_credits #remake_of_tv_show #interracial_romance #exploding_trailer #havana_cuba #drug_lord #remake #miami_florida #based_on_tv_series
|6.0/10 Votes: 113,747|
|5.9 Votes: 1275 Popularity: 14.317|
Solid but underwhelming
Due to Michael Mann’s track record it was hard to go into this movie without very high expectations. After all, we are talking about the creator of arguably the greatest crime drama/thriller ever made with “Heat”, as well as the highly entertaining “Collateral”. But “Miami Vice” fails to live up to Mann’s past success in the crime genre.
The plot is completely ordinary and doesn’t offer up any unexpected twists and turns along the way. Because of this, the movie lacks intensity through much of the first and second acts, when everything that’s happening is completely predictable.
However, pedestrian plot aside, the biggest disappointment was the manner in which the characters were developed. Both “Collateral” and “Heat” were notable for the way in which they delved deep into the psyche of the central characters, providing compelling personal drama to go along with the heists, hits and gunplay. But in “Miami Vice”, we never really get to know the characters or their motivations beyond the surface level. And to make matters worse, Foxx and Farrell never develop the kind of rapport that’s necessary to make a movie like this work on a high level. Compare Foxx and Farrell to Johnson and Thomas, or Gibson and Glover, and you’ll see what I mean. Even though the “Miami Vice” movie aspires to be darker and grittier than “Lethal Weapon”, which it is, it fails to be as dramatic because we never really come to care about the characters all that much. While there was clearly a conscious decision to downplay the “buddy” elements of the movie, the result is that Crockett and Tubbs seem so disconnected from each other on a personal level that it’s hard to buy that they would die for each other, which we are expected to believe. The only relationship that is at all convincing or fleshed out is between Crockett and Isabella. The rest seem decidedly distant and undercooked.
What saves the film from being a bust is the visual splendor and great action sets. Mann once again proves that when it comes to creating a gritty atmosphere and staging shootouts, he’s among the best in the business. When it comes to style, visuals, and atmosphere, “Miami Vice” is top notch.
In the end perhaps what hurt this movie most was studio deadlines and delays while shooting. It’s been widely reported that Michael Mann had to feverishly edit this film just to get it into theaters on time, and in many ways that shows. There are multiple loose ends that are never tied up or explained, and several plot threads seem underdeveloped. I’m sure some day we will see a director’s cut which approaches the 3 hour mark just like “Heat”, and perhaps that version will overcome of the issues involving character development and plot holes in the theatrical version. Until then, “Miami Vice” is a movie that, while far from being a total failure, is none-the-less disappointing in that it had the potential to be a much more complete film than it is.
Just saw the film today- I am a big fan of Michael Mann’ films but I must say I was somewhat disappointed. The story is realistic and believable, the acting was on point for the most part and of course the cinematography was excellent. The films biggest fault-unintelligible dialog. I viewed Miami Vice in a digital surround theater,and the effects-gunshots,helicopters,speedboats,sports cars etc.were plenty clear but I found myself straining to hear most of what the actors were saying. Of course, the heavy accents and macho low voice tones didn’t help. Its a good drug/crime action movie but very far from the caliber of films Mann is known for(Heat,Collateral). I remember rushing home in the eighties to see Miami Vice,I don’t think I ever missed an episode. Maybe I just expected too much.
Original Language en
Runtime 2 hr 12 min (132 min), 2 hr 19 min (139 min) (unrated director’s edition)
Genre Action, Crime, Drama
Director Michael Mann
Writer Michael Mann, Anthony Yerkovich
Actors Colin Farrell, Jamie Foxx, Gong Li
Country Germany, United States
Awards 1 win & 9 nominations
Production Company N/A
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.35 : 1
Camera Arriflex 235, Zeiss Ultra Prime and P+S Technik T-Rex SuperScope Lenses, Arriflex 435, Zeiss Ultra Prime and P+S Technik T-Rex SuperScope Lenses, Sony CineAlta HDW-F900, Zeiss DigiPrime and DigiZoom Lenses, Thomson VIPER FilmStream Camera, Zeiss DigiPrime and DigiZoom Lenses
Laboratory Company 3, Los Angeles (CA), USA (digital intermediate), Technicolor, Hollywood (CA), USA
Film Length 3,654 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 50D 5201, Vision2 Expression 500T 5229), Video (HD)
Cinematographic Process Digital Intermediate (2K) (master format), HDCAM SR (1080p/24) (source format), Super 35 (source format) (some scenes)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema