#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A man refuses all assistance from his daughter as he ages. As he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
Plot: A man refuses all assistance from his daughter as he ages and, as he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
Smart Tags: #dementia #alzheimer’s_disease #memory_loss #father_daughter_relationship #screenplay_adapted_by_author #adaptation_directed_by_original_author
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‘The Father’ is a standout during this very bland awards season, but just because it’s both a critical darling and awards frontrunner doesn’t take away from the emotional power and stellar performances for Colman and Hopkins.
– Chris dos Santos
Read Chris’ full article…
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I’ve watched some incredible films during my life. Some offered me a blast of pure entertainment, others left me crying like a baby, and dozens made me laugh uncontrollably. Nevertheless, the most memorable movies are the ones that profoundly impact me emotionally either by remembering me of a past phase of my life or by possessing main characters who I can strongly relate to. What might be “just another film” for most viewers can ultimately become a personal journey for other people in the audience, which is how I partially experienced The Father. I didn’t have massive expectations for the movie itself, but I was curious to know how great Anthony Hopkins would be.
While the legendary actor is undoubtedly a notable standout, Florian Zeller’s creative, unconventional storytelling left me completely floored. By the end of the film, I felt emotionally drained of all my feelings and thoughts due to the increasingly heavier, devastating narrative co-written by Zeller and Christopher Hampton, adapted from the former’s award-winning play, Le Père. This could have been yet another generic story about dementia, but Zeller’s brilliant storytelling places the viewer in the protagonist’s skin, offering a terrifying viewpoint of the disease. From the very first minute until the end, the spectators accompany Anthony, an old man starting to lose track of reality, through his own perspective.
I genuinely don’t know if this sort of point of view has been depicted before, particularly in the case of dementia, but either way, it’s a harrowing experience that will surely leave a vast majority of its viewers extremely captivated throughout the entire runtime. Watching Anthony go through scenes that he wholly believes are indeed happening as he sees them is as attention-grabbing as it is frustrating and sad once the audience gets to see how the same scenes really played out. In fact, if one starts watching the movie without even knowing the synopsis, the first act will almost seem like a mystery-thriller due to so many twists and turns regarding previous conversations that Anthony and the viewers believe are 100% real.
Zeller and Hampton’s script doesn’t only approach Anthony’s feelings but also the loved ones surrounding him, which I firmly believe was both necessary and honest. The Father doesn’t shy away from showing the boiled-up frustration and even desperation that the family usually goes through when dealing with someone with this terrible health condition. I have no words to describe how thoughtful and impactful Zeller’s storytelling method ends up being. I found myself remarkably surprised once I realized the film had reached the one-hour mark. The control of the movie’s pacing and tone is absolutely seamless. Technically, Yorgos Lamprinos’ editing work is as impeccable as Ben Smithard’s lingering cinematography.
However, it’s Ludovico Einaudi’s outstanding score that steals the spotlight in the technical realm. From the atmospheric, grand opera music to the more subtle tracks, Einaudi makes sure to elevate the critical moments with a noticeable sound that helps the viewer understand the progressive shift in Anthony’s perception of reality. Zeller demonstrates immense talent in his feature film directorial debut. Being an adaptation from his own play certainly aids him in bringing the story from stage-to-screen, but his filmmaking choices are worthy of recognition, such as the extensive use of long takes to let the actors shine in their layered roles. And since I mentioned the cast…
Anthony Hopkins delivers an award-worthy performance that only finds in Chadwick Boseman (Ma Rainey’s Black Bottom) a serious rival for this year’s awards season. Hopkins holds countless astonishing displays throughout his career, but this one is definitely one of my favorites. I never anticipated I’d shed so many tears by watching an old man cry or getting slapped in the face, though it’s not even due to the acts themselves but to everything that builds up those moments. During most of the runtime, I don’t really feel sadness or anger. Instead, I feel every character’s pain because it’s incredibly hard to watch how everyone deals with the situation. Hopkins and Olivia Colman are undoubtedly the most impactful, but Olivia Williams and Imogen Poots also add a lot to the sentimental component.
I insinuate above that The Father impacted me at a personal level. A little bit about my life: my grandfather didn’t have dementia, but his mind slowly deteriorated until it reached a point where he had to spend his last few months on this planet stuck in a bed without really talking or moving. Still to this day, part of me regrets not spending that much time with him near the end, while the other part feels a bit relieved that my memory of him in his “normal” state remains intact. I always feared that if I visited him often in his last days of living, I’d only remember his time at the nursing home instead of the years packed with tremendously essential lessons he taught me. This movie left me sleepless, spending the night thinking about that time of my life…
The Father is an overwhelmingly devastating depiction of the painfully progressive disease that is dementia. Florian Zeller’s extremely captivating storytelling places the viewers inside the protagonist’s mind, making the audience witness and feel everything through his unclear perspective. Zeller and Christopher Hampton deliver a brilliantly unique screenplay packed with emotional punches that will leave no one indifferent. From the perfect editing to the persistent camera work, it’s Ludovico Einaudi’s gorgeous, impactful score that elevates the big moments. Zeller’s use of long takes feels both necessary and important to attach the viewers’ attention to Anthony Hopkins, who delivers an award-worthy, powerfully compelling performance. One of my favorites of his entire career. Hopefully, this will be the closest I’ll ever be to experience this mental condition. My personal connection to this film justifies why I’ll offer it my highest rating since November 2019 (Ford v Ferrari). One of the best movies I’ve seen in the last couple of years. Do not miss it!
So good I never want to watch it again
The Father might be the saddest film I’ve ever seen. With a heartbreaking powerhouse of a performance, Anthony Hopkins is at his absolute best. This puts you in the shoes of a man whose mind is deteriorating. I fully recommend that everyone see this movie. As great as it is, it is not one I want to rewatch anytime soon.
A Haunting and Devastating View of Dementia
IN BRIEF: Great performances and sensitive direction create a haunting journey into dementia.
JIM’S REVIEW: (HIGHLY RECOMMENDED) It’s been a few days since I have seen Florian Zeller’s brilliant film, The Father, and it still haunts me with its vivid depiction of the ravages of dementia. Other films have previously tackled this tragic disease very well. Amour, Still Alice, Away From Her, Iris, these exceptional films do come to mind, but no moviegoing experience will prepare you for this emotional free-fall.
We witness Anthony’s mental decline directly as we are transported to his ever-changing world. It is a jarring and disturbing view. Scenes are flipped and repeated by different characters. Actors trade roles and utter familiar dialog heard before. Items are lost or found and settings are slightly askew with changes in decor hinting at his mental disarray and anguish. As moviegoers, we cannot recognize the real from the surreal and the film accomplishes what no other film has done before…we become as dead to the real world, just as Anthony has, lost in a parallel universe and unable to find an easy escape. The emotional upheaval is palpable and moving.
This is a great movie. French playwright Florian Zeller takes his play (with the assistance from Christopher Hampton) and adapts it for the screen in his glorious directorial debut and it’s a stunner. His dialog captures the outrage and angst of a patient slowly being erased. Mr. Zeller’s sensitive touches throughout the film indicate vast changes in Anthony’s time frame (a misplaced fork, artwork that moves and shifts placement in the apartment, a whole kitchen redo, etc.).
Production values are top-notch. Special kudos to Peter Francis’ stylish production design and Ludovico Einaudi’s brooding and lyrical music score which sets the perfect bittersweet tone. Yorgos Lamprinos removes all of the play’s stagy theatrics from this adaptation with his concise editing and the lens of Ben Smithard lights and composes areas of the apartment with a sense of cluttered isolation with equal parts Edward Hopper or David Hockney.
In the title role is Sir Anthony Hopkins and he is mesmerizing in his portrayal of a man unable to come to terms with his demise. He cajoles, bullies, and demands attention of those he loves. His final break-down scene is a masterclass in acting. This is a towering performance by an actor at his peak. The whole ensemble is splendid. Rufus Sewell, Imogen Poots, Mark Gatliss, and Olivia Williams shine in their transferable identities and add layers to the story, but it is Olivia Coleman as Anne, Anthony’s sorrowful daughter, who impresses. The actress brings such deep nuance to her part. Her frightened glances, disoriented manner, and expressive line delivery is devastating. Mr. Hopkins and Ms. Coleman deserve every accolade this award season.
Simply stated, The Father is one of the year’s finest films. Do not miss this gripping movie.
Original Language en
Runtime 1 hr 37 min (97 min)
Director Florian Zeller
Writer Christopher Hampton (screenplay by), Florian Zeller (play), Florian Zeller (screenplay)
Actors Olivia Colman, Anthony Hopkins, Mark Gatiss, Olivia Williams
Country UK, France
Awards Nominated for 6 Oscars. Another 21 wins & 125 nominations.
Production Company N/A
Sound Mix Dolby Digital
Aspect Ratio 2.39 : 1
Camera Sony CineAlta Venice, Zeiss Supreme Prime and Compact Zoom Lenses
Film Length N/A
Negative Format AXS-R7
Cinematographic Process Digital Intermediate (4K) (master format), X-OCN ST (6K) (source format)
Printed Film Format D-Cinema